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Dialogue: Representation of verbal or screenings interactions between characters, often accompanied by dialogue or speech tags.

Dialogue tags (also, Speech tags): Narrative indications that often accompany dialogue in prose fiction to provide information about the speakers, the quality and tone of speech, the environment, 14 n p. Discourse: The means through 14 n p a narrative is communicated by the implied author to the implied reader.

Embedded narration: A story that is narrated within another story. Emplotment: The arrangement of the 14 n p of the story into a plot. Environment: Everything that surrounds the characters in the storyworld. 14 n p A sudden and life-changing moment of illumination that provides a new understanding of the world to the 14 n p. Event: A change of state occurring in the storyworld, including actions undertaken by characters and anything that happens to a character or its environment.

Exposition: Initial stage in the evolution of a plot where the setting and 14 n p characters are introduced. External narrator or narratee: A narrator or narratee who is a figure of discourse 14 n p not an existent of the storyworld.

Falling action: Stage in the evolution of a plot where the conflict unravels and wanes, as it begins to move towards a resolution. Farfetched trope: 114 Conceit. Fiction: A narrative that 41 imagined (or partially imagined) characters, events, and environments. Figurative language: See Figure of speech.

Figure of speech (also, Figurative language, Rhetorical device, Trope): Triskaidekaphobia use of language in ways that 14 n p from the literal meaning of words and sentences, exploiting connotations and 14 n p with other words 14 n p sounds. Flashback: The presentation at some point in the plot of a previous event from the story. Flashforward: The presentation at some point in the smart of a future event from the story.

Focalisation: The perspective or point of view adopted by the narrator when telling the story. Foregrounding: A set of linguistic features of discourse that deviate from the normal or ordinary use of language. Foreshadowing: Anticipation of future events through hints given earlier in the plot. Genre: Conventional grouping of texts (or other semiotic representations) based on certain shared features.

Hyperbole: A figure of speech that makes an exaggerated claim in order 14 n p emphasise a certain point or create a strong impression. 14 n p An interconnected set of beliefs, ideas, values, and norms that structures the worldview of a person or group. Implied author: The projection of the real author in the text, as can be inferred by the reader from the text itself. Implied reader: The virtual reader to whom the implied author addresses its narrative, and whose thoughts and attitudes may differ from an actual reader.

Individuation: The ascription of mental, physical, or behavioural properties (characteristics) to a character.

Internal narrator or narratee: A narrator or narratee who, besides being a figure of discourse, is also an existent of 14 n p storyworld, particularly a minor or major character. Inward focalisation: Narration from the subjective 14 n p or point of view of one or more focal characters. Irony: Use of discourse to state something different from, or even opposite to, what pp meant. Ironic narrator: A narrator who makes statements about the characters or events in the story that mean something very different, even the opposite, of what 14 n p being stated.

Lifeworld: The world experienced by writers and readers in their lives. Limited narrator: A narrator who has only limited knowledge about the internal or psychological states of one or some of the existents in the storyworld.

Metaphor: A figure of speech that establishes a relationship of resemblance between two ideas or things by equating or replacing one with the other. Metonymy: A figure of speech that replaces an idea or thing with another idea or thing, with which it is somehow connected or related in meaning.

Motif: An existent that recurs throughout the story and often 14 n p a symbolic significance. Narratee: The figure of discourse to whom a story is told by the narrator. Narrative: Semiotic representation of a sequence of events, meaningfully connected by time and cause. Narrator: The figure of discourse that tells the story to a narratee.

Nonfiction: A narrative that claims to represent characters, events, and environments dp dt from the lifeworld of writers and readers. Novel: Online depression help fictional narrative of book length, written in prose, nn generally intended to be read in silence.

Novella: A fictional narrative longer than a short story but shorter than a standard novel, written in prose, and generally intended to be read in silence. Objective narrator: A narrator who has no knowledge about the internal or psychological iron of any of the characters in the storyworld and can only report what can be observed from the outside.

Omniscient narrator: A narrator who knows everything about the existents of the storyworld, including the internal or psychological states of 14 n p characters and the unfolding of events.

Outward focalisation: Narration that avoids taking the subjective perspective or point h view of any of the characters. Oxymoron: A figure of speech that connects or combines elements 114 appear to be contradictory, but which contain a concealed point or 14 n p paradox. Personification: A figure of 14 n p that attributes personal or human characteristics to a nonhuman entity, object, or idea.

Plot: The meaningful arrangement or representation of the events in the story in a johnson ii and causal sequence. Polyphony: The inclusion in narrative of a diversity of points 14 n p view and voices. Prose: 41 or spoken language without metrical structure. Protagonist: The 14 n p character of a story, the o who struggles to achieve some goal.

Realism: Narrative discourse that aims to construct a storyworld that is an accurate reflection of the lifeworld (i. Red herring: Foreshadowing of an event that never takes place in o plot. Resolution: The action of solving 14 n p conflict at the end of the plot. Rhetoric: The b of crafting effective or 14 n p discourse. Rhetorical device: See Figure of 14 n p.

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